On Paper: Picturing Painting

From March 30, 2016 — October 23, 2016

4484b2e4-6fb3-4213-b230-eceace9dc74e On Paper: Picturing Painting 2016-picturing-painting https://s3.amazonaws.com/artbma/images/exhibitions/large/dijkstra.jpg https://s3.amazonaws.com/artbma/images/exhibitions/small/dijkstra.jpg Rineke Dijkstra. Hel. Poland, August 12, 1998. 1998. The Baltimore Museum of Art: Horace W. Goldsmith Foundation Fund, BMA 2001.22. © Rineke Dijkstra 1 1 2016-03-30T00:00:00-04:00 2016-10-23T00:00:00-04:00 Free admission

Four large-scale color images in this exhibition reinterpret masterworks of painting as photographs. In some cases fashioned as an homage, in others a critique, these works combine elements of historical paintings with traits particular to photography to create images with a unique and powerful presence. Examples include Rineke Dijkstra’s Hel. Poland, August 12, 1998 (1998), Andres Serrano’s Black Supper (1990, printed 1992), Starn Twins’ Large Blue Film Picasso (1988–89), and Mickalene Thomas’ Le dejeuner sur l’herbe: Le Trois Femmes Noires (2010). These works were influenced respectively by Sandro Botticelli’s The Birth of Venus (c. 1486), Leonardo da Vinci’s The Last Supper (1494–99), Pablo Picasso’s Deux femmes nues assises (1921), and Édouard Manet’s Le dejeuner sur l’herbe (1863).

Curated by

Senior Curator of Contemporary Art and Department Head, Kristen Hileman

The large-scale color images in this exhibition reinterpret masterworks of painting as photographs. In some cases fashioned as an homage, in others a critique, these works combine elements of historical paintings with traits particular to photography to create images with a unique and powerful presence.

Rineke Dijkstra. 1998. The Baltimore Museum of Art: Horace W. Goldsmith Foundation Fund, BMA 2001.22. © Rineke Dijkstra