Oletha DeVane: Traces of the Spirit

From June 19, 2019 — October 20, 2019

5cc9e9a30631f Oletha DeVane: Traces of the Spirit oletha_devane_traces_of_the_spirit /images/exhibitions/large/oletha_devane.jpg /images/exhibitions/small/oletha_devane.jpg Image credit: Installation view, Oletha DeVane: Traces of the Spirit. Photo by Mitro Hood. 1 2019-06-19T00:00:00-04:00 2019-10-20T00:00:00-04:00

Projected lights, sounds, and reflective surfaces convey a sense of flowing water in Oletha DeVane’s installation, Traces of the Spirit, presented inside the BMA’s Spring House. The exhibition references the building’s past as a dairy and place where enslaved people were forced to labor and creates an altar-like location for a selection of the artist’s spirit sculptures. For these totem-like objects, DeVane (American, b. 1950) adorns hollow glass vessels with pieces from her collection of found objects such as beads, wood, mirrors, plastic figurines, sequins, fabric, and even bullet casings. These elements are applied in conjunction, at times, with small, expressive clay heads shaped by the artist, giving voice and life to the sculptures. DeVane draws upon spiritual and African diasporic traditions to reference stories, prayers, and myths. Snakes, birds, saints, and mermaids populate the dense surfaces. The resulting works evoke the possibilities of spiritual communication and transformation.

The exhibition catalog, published by the BMA, features more than 15 images of the artist’s spirit sculptures and essays by scholars Dr. Lowery Sims and Dr. Leslie King-Hammond as well as an interview with the artist.

Curated by Virginia Anderson, Curator  of American Art.

This exhibition is made possible with thanks to Justin C. Bakewell, along with Cindy and Tom Kelly, John Meyerhoff, M.D., and Lenel Srochi-Meyerhoff, Clair Zamoiski Segal, Trish and Jerry Cott, Gwen Davidson, Mimi Kapiloff, Ziger/Snead Architects and McDonogh School.

Please note: The Spring House closes during inclement weather. Call 443-573-1700 on the day of your visit for more information.

Projected lights, sounds, and reflective surfaces convey a sense of flowing water in Oletha DeVane’s installation, Traces of the Spirit, presented inside the BMA’s Spring House. The exhibition references the building’s past as a dairy and place where enslaved people were forced to labor and creates an altar-like location for a selection of the artist’s spirit sculptures. For these totem-like objects, DeVane (American, b. 1950) adorns hollow glass vessels with pieces from her collection of found objects such as beads, wood, mirrors, plastic figurines, sequins, fabric, and even bullet casings. These elements are applied in conjunction, at times, with small, expressive clay heads shaped by the artist, giving voice and life to the sculptures. DeVane draws upon spiritual and African diasporic traditions to reference stories, prayers, and myths. Snakes, birds, saints, and mermaids populate the dense surfaces. The resulting works evoke the possibilities of spiritual communication and transformation.

The exhibition catalog, published by the BMA, features more than 15 images of the artist’s spirit sculptures and essays by scholars Dr. Lowery Sims and Dr. Leslie King-Hammond as well as an interview with the artist.

Curated by Virginia Anderson, Curator  of American Art.

This exhibition is made possible with thanks to Justin C. Bakewell, along with Cindy and Tom Kelly, John Meyerhoff, M.D., and Lenel Srochi-Meyerhoff, Clair Zamoiski Segal, Trish and Jerry Cott, Gwen Davidson, Mimi Kapiloff, Ziger/Snead Architects and McDonogh School.

Image credit: Installation view, Oletha DeVane: Traces of the Spirit. Photo by Mitro Hood.