Alexandre Thiollet
Au Hâvre pour la Loterie
1889
Physical Qualities
Pen and black ink and wash, and oil paint over graphite on paper, Sheet: 220 × 372 mm. (8 11/16 × 14 5/8 in.)
Credit Line
The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community
Object Number
1996.48.3241
Shore scene; horses pulling a wagon on the beach; sailboats in distance.
The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris
Jay McKean Fisher, William R. Johnston and Cheryl K. Snay, 'The Essence of Line: French Drawings from Ingres to Degas,' organized by The Walters Art Museum and The Baltimore Museum of Art, circulated to The Walters Art Museum June 19, 2005 - September 11, 2005, The Birmingham Museum of Art February 9, 2006 - May 4, 2006, Tacoma Art Museum June 9, 2006 - September 7, 2006.
Charles Cunningham, Susan Peters and Kathleen Zimmerer, Smith College Museum of Art, Northampton, MA, and Sterling and Francine Clark Art Institute, Williamstown, MA, 'Jongkind and the Pre-Impressionists: Painters of the Ecole Saint-Siméon', Oct. 15-Dec. 5, 1976 and Dec. 17-Feb. 13, 1977, p. 152, no. 105, ill. p. 152.
Smith College Museum of Art, Northhampton, MA, "Jongkind and the Pre-Impressionists," Oct. 14 - Dec. 5, 1976; circulated to Sterling and Francine Clark Art Institute, Williamstown, MA, Dec. 17, 1976 - Feb. 13, 1977.
Baltimore Museum of Art, 'Watercolors and Drawings from the George A. Lucas Collection', July 24-Oct. 14, 1990.
Sona K. Johnson, BMA, Baltimore, "Barbizon and Impressionist Works from The Baltimore Museum of Art," circulated by Brain Trust to Yamanashi Prefectural Museum of Art, January 11-February 16, 2003; Sakura City Museum of Art, Chiba, February 27-March 30, 2003; Okazaki City Museum, April 5-May 18, 2003; Suntory Museum, Osaka, May 24-July 6, 2003; Miyazaki Prefectural Museum, July 12-August 17, 2003.
Charles Cunningham, Susan Peters and Kathleen Zimmerer, Smith College Museum of Art, Northampton, MA, and Sterling and Francine Clark Art Institute, Williamstown, MA, 'Jongkind and the Pre-Impressionists: Painters of the Ecole Saint-Siméon', Oct. 15-Dec. 5, 1976 and Dec. 17-Feb. 13, 1977, p. 152, no. 105, ill. p. 152.
Smith College Museum of Art, Northhampton, MA, "Jongkind and the Pre-Impressionists," Oct. 14 - Dec. 5, 1976; circulated to Sterling and Francine Clark Art Institute, Williamstown, MA, Dec. 17, 1976 - Feb. 13, 1977.
Baltimore Museum of Art, 'Watercolors and Drawings from the George A. Lucas Collection', July 24-Oct. 14, 1990.
Sona K. Johnson, BMA, Baltimore, "Barbizon and Impressionist Works from The Baltimore Museum of Art," circulated by Brain Trust to Yamanashi Prefectural Museum of Art, January 11-February 16, 2003; Sakura City Museum of Art, Chiba, February 27-March 30, 2003; Okazaki City Museum, April 5-May 18, 2003; Suntory Museum, Osaka, May 24-July 6, 2003; Miyazaki Prefectural Museum, July 12-August 17, 2003.
Sona K. Johnson et al, "Barbizon and Impressionist Works from The Baltimore Museum of Art," Tokyo: "Barbizon and Impressionist Works from The Baltimore Museum of Art" catalogue committee, 2003, no. 75, p. 107, ill.
Fisher, Jay McKean, et al. The Essence of Line: French drawings from Ingres to Degas. University Park, PA: Pennsylvania State University Press, 2005, p. 344-45, ill.
Inscribed: RECTO: BC, (black ink), 'au Hâvre pour la Loterie 1890'.
