Elizabeth Blyden
Baltimore Building Sampler
1828
Physical Qualities
Linen ground, silk embroidery threads, 21 1/2 x 25 in. (54.6 x 63.5 cm.)
Credit Line
Gift of Brian Topping in Memory of Elizabeth Hemphill Topping
Object Number
2015.62
In the decades following 1820, an unidentified schoolmistress introduced the format that came to be known as the Baltimore Building sampler. Large and dramatic, these embroideries often featured two-story buildings with fences, ornamental iron gates, and wide paths leading to imposing steps, all encompassed by wide floral borders. Possibly inspired by the painted furniture of John and Hugh Finlay, which depicted vignettes of important homes (examples can be seen in nearby galleries), many of these samples appear to represent private mansions. Others, however, portray public buildings. Elizabeth Blyden, the daughter of Fells Point tavern keepers, worked this picture of a two-steeple building resembling Baltimore’s First Presbyterian Church. The configuration is inexact, but the cross above the pediment and the memorials dedicated to Elizabeth’s grandparents within the fenced yard seem to signify a building with a religious purpose.
The Baltimore Museum of Art by gift, 2015; Brian Topping, Baltimore, by purchase, 2013; Sotheby's, NY; Mary Jaene Edmonds, by purchase, 1977; American Hurrah Antiques, NY
Anita Jones, The Baltimore Museum of Art, "Lessons Learned: American Schoolgirl Embroideries," November 23, 2014-May 10, 2015.
Edward Maeder and Mary Jaene Edmonds, "Samplers and Samplermakers: An American Schoolgirl Art 1700-1850," Los Angeles County Museum of Art, November 7, 1991 - February 2, 1992.
Edward Maeder and Mary Jaene Edmonds, "Samplers and Samplermakers: An American Schoolgirl Art 1700-1850," Los Angeles County Museum of Art, November 7, 1991 - February 2, 1992.
Mary Jane Edmonds, Samplers and Sampler Makers: An American Schoolgirl Art 1700-1850, New York: Rizzoli and Los Angeles County Museum of Art, pp. 136-137, illust. fig. 65.
Inscribed: Inscription: Embroidered in black threads on monuments: "AM/Sacred to/Adam Mewer" and "SM/Sacred to Sarah Mewer" Embroidered at bottom: "Elizabeth Blyden’s work done in the 12th year of her age. August 13th 1829. E. Baltimore”