André Derain

In the Studio

1914-1924

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André Derain

In the Studio

André Derain

In the Studio

1914-1924

Physical Qualities Oil on wood panel, 6 3/16 x 8 11/16 in. (15.7 x 22.1 cm.)

Credit Line The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland

Object Number 1950.208

The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by purchase, 1928; Paul Vallotton, Lausanne, 1928; Jacques Zoubaloff collection sale, Paris; Galerie Georges Petit, Paris, 1927

Galerie Georges Petit, Paris, "Oeuvres Importantes de Barye, Maillol et Rodin formant la Collection de M. Jacques Zoubaloff", June 14-June 17, 1927, no. 117. (Exhibited as "Baigneuses")

Adelyn D. Breeskin, The Baltimore Museum of Art, Baltimore, "Cone Collection of Modern Paintings and Sculpture", April 1-December 1, 1930, no. 6 (Exhibited as "Studio Group")

Gertrude Rosenthal, The Baltimore Museum of Art, "Selections from the Cone Collection", October 7-December 31, 1949, no. 13.

Galerie Georges Petit, "Oeuvres Importantes de Barye, Maillol et Rodin formant la Collection de M. Jacques Zoubaloff," Paris: La Moderne Imprimerie, 1927, no. 117, ill. (Published as "Baigneuses")

The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1930, p. 5, no. 6.

Etta Cone, "The Cone Collection of Baltimore-Maryland," Baltimore: Etta Cone, 1934, p. 23, pl. 65, ill. (Published as "Dans l'Atelier")

George Boas, Adelyn D. Breeskin and J.G. D'Arcy Paul, "Selections from the Cone Collection," "News of The Baltimore Museum of Art," October 1949, vol. 13, no. 1, p. 12. (Published as "In the Atelier")

George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Cone Collection: A Handbook with a Catalogue of Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1955, p. 28, no. 23. (Published as "In the Atelier")

George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Paintings, Sculpture, and Drawings in the Cone Collection," Baltimore: The Baltimore Museum of Art, 1967, p. 65, no. 19. (Published as "In the Atelier")

Brenda Richardson, "Dr. Claribel & Miss Etta: The Cone Collection of The Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1985, p. 180.

Michel Kellermann, "André Derain: Catalogue Raisonné de l'Oeuvre Peint, volume 2," Paris: Éditions Galerie Schmit, 1996, p. 131, no. 850, ill. (Published as "Baigneuses")

Inscribed: Recto: Lower right in black paint, "Derain" Verso: Top left canvas, white hexagonal label with a blue border, in black ink, "718/Derain/9.2xox" Top center in white chalk, "16" Top center in blue pencil, "11315" Top right in red pencil, illegible mark Middle center, circular black stamp, "HLES & PANNE/COULEURES FINES/EMMELIE/QUAI VOLTAIRE/PARIS" Lower left, square white label , "1F/________ de Zurich/B 1919-1920/45 or H5 Derain" is hand written in black. Lower right, rectangular white label, "No. 7762/Derain/Petite Composition/fr. 2.200" is hand written in black ink. To the left is a purple stamp that reads "Tableaux Modern/Paul Vallotton/7, rue Grand-Chène/LAUSANNE (Suisse)" Frame Inscriptions Middle left vertical rail, in black grease pencil, "T345" Middle top horizontal rail, white label with a red border in black ink, "Derain-In the Atelier" Top horizontal rail, white label, black print and black ink, "BALTIMORE MUSEUM OF ART/WYMAN PARK/...In the Atelier/Andre Derain/Cone Cat. no. 13..." Backing Board Center in dark print, "Tableaux Modern/Paul Vallotton/ 7, rue Grand-Chène/LAUSANNE (Suisse)" Upper right in black grease pencil, "2"