Henri Matisse
Interior, Flowers and Parakeets
1923
Physical Qualities
Oil on canvas, Unframed: 46 1/4 × 29 × 1 3/16 in. (117.5 × 73.7 × 3 cm.)
Framed: 56 1/4 × 38 7/8 × 4 in. (142.9 × 98.7 × 10.2 cm.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.252
Interior, Flowers and Parakeets shows Matisse’s apartment on the Place Charles-Félix in Nice, which he occupied from 1921 to 1938. This sumptuous composition provides a portrait of Matisse’s taste as a collector of decorative objects, which were often vibrantly colored, patterned, and textured. Throughout his career, Matisse filled his studio with fabrics, rugs, and pottery. These items found their way into many of his interiors painted in Nice and provided a view into the rich world of his living quarters. This painting,
acquired by Etta Cone in 1925, is thought to have been one of her favorite works.
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by purchase, 1925; Pierre Matisse, Paris
Galerie Bernheim-Jeune, Paris, "Exposition Henri-Matisse", May 6-May 20, 1924, no. 32.
Reinhardt Galleries, New York, "El Greco and Rembrandt to Cézanne and Matisse", January 15-January 29, 1927, no. 26. (Exhibited as "Still Life")
Adelyn D. Breeskin, The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture", April 1-December 1, 1930, no. 16. (Exhibited as "Interior")
Alfred H. Barr, Jr., The Museum of Modern Art, New York, "Painting in Paris from American Collections", January 19-March 2, 1930, no. 58. (Exhibited as "Interior")
The Art Institute of Chicago, "A Century of Progress: Exhibition of Paintings and Sculpture", June 1-November 1, 1933, no. 393. (Exhibited as "Interior")
The Baltimore Museum of Art, "Cone Collection", May 12-October 1, 1934.
Henry Clifford, The Pennsylvania Museum of Art, "The Fauves: 1900", March 16-May 8, 1935.
Adelyn Breeskin, The Baltimore Museum of Art, "A Century of Baltimore Collecting 1840-1940", June 6-September 1, 1941. (Exhibited as "Interior")
Gertrude Rosenthal, The Baltimore Museum of Art, "Selections from the Cone Collection", October 7-December 31, 1949, no. 56. (Exhibited as "Interior: Flowers and Parrots")
Andrew Carnduff Ritchie and Monroe Wheeler, The Museum of Modern Art, New York, "Henri Matisse", November 13, 1951-January 13, 1952, no. 57; circulated to The Cleveland Museum of Art, February 5-March 16, 1952; The Art Institute of Chicago, April 1-May 4, 1952; The San Francisco Museum of Art, May 22-July 6, 1952. (Exhibited as "Interior: Flowers and Parrots")
The Baltimore Museum of Art, "The Cone Collection", circulated to The Virginia Museum of Fine Arts, Richmond, October 23-November 22, 1953.
Paul Rosenberg and Company, New York, "Loan Exhibition of Paintings by Henri Matisse", April 5-May 1, 1954, no. 8. (Exhibited as "Interior: Flowers and Parrots")
The Baltimore Museum of Art, "The Cone Collection", circulated to M. Knoedler & Company, New York, January 24-February 19, 1955. (Exhibited as "Interior: Flowers and Parrots")
Gertrude Rosenthal, The Baltimore Museum of Art, "Paintings, Sculpture and Drawings in the Collection of The Baltimore Museum of Art", circulated to The Columbus Gallery of Fine Arts, Columbus, OH, November 9-December 4, 1967.
The Arts Council of Great Britain, The Hayward Gallery, London, "Matisse", July 4-September 8, 1968, no. 92. (Exhibited as "Interior, Flowers and Parrots")
George S. Heyer, Jr., University Art Museum, Austin, Texas, "Not So Long Ago: Art of the 1920s in Europe and America", 1972, no. 68. (Exhibited as "Interior, Flowers and Parrots")
Jane Harrison Cone, The Baltimore Museum of Art, "Cone Collection from The Baltimore Museum of Art", circulated to Wildenstein and Company, New York, March 29-May 4, 1974, no. 29. (Exhibited as "Interior, Flowers and Parrots")
Brenda Richardson, The Baltimore Museum of Art, "Matisse in the Collection of The Baltimore Museum of Art", circulated to The Solomon R. Guggenheim Museum, New York,August 24 - October 14, 1979.
The Baltimore Museum of Art, "Masterpieces from the Cone Collection of the Baltimore Museum of Art", circulated to The Los Angeles County Museum of Art, October 6, 1985-November 24, 1985; Kimbell Art Museum, Fort Worth, December 14, 1985-February 9, 1986.
Jack Cowart and Dominique Fourcade, The National Gallery of Art, Washington, "Henri Matisse The Early Years in Nice 1916-1930", November 2, 1986-March 29, 1987, no. 139. (Exhibited as "Intérieur, fleurs et perruches/Interior, Flowers and Parrots")
Brenda Richardson, The Baltimore Museum of Art, "Matisse, Picasso and Impressionist Masters from the Cone Collection", circulated to The Museum of Fine Arts Boston, October 2, 1991-January 19, 1992.
John Elderfield with Beatrice Kernan, The Museum of Modern Art, New York, "Henri Matisse: A Retrospective", September 24, 1992-January 19, 1993, no. 259.
Brenda Richardson, The Baltimore Museum of Art, "Van Gogh to Matisse: Impressionist and Modern Masters from the Cone Collection of The Baltimore Museum of Art", circulated to The Museum of Fine Arts, Houston, November 21, 1993-January 30, 1994.
Brain Trust Inc., Isetan Museum of Art, Tokyo, "Matisse and Modern Masters from the Cone Collection of The Baltimore Museum of Art", October 3-December 28, 1996, no. 29; circulated to the Osaka Municipal Museum of Art, January 8-February 11, 1997.
The Baltimore Museum of Art, "Matisse from The Baltimore Museum of Art", circulated to The Denver Art Museum, March 11-June 25, 2000; Birmingham Museum of Art, July 23-September 17, 2000; The Art Gallery of Ontario, Toronto, October 10, 2000-January 28, 2001.
The Baltimore Museum of Art and The Walters Art Gallery, Baltimore, The Norton Museum of Art, West Palm Beach "The Triumph of French Painting: Masterpieces from Ingres to Matisse", January 8-March 11, 2001, no. 55; circulated to the Royal Academy of Arts, London, July 12-October 7, 2001; Albright-Knox Art Gallery, Buffalo, November 3, 2001-January 6, 2002.
Eric M. Zafran, Wadsworth Atheneum, Hartford, "Impressionism to Surrealism from The Baltimore Museum of Art", February 8-April 21, 2002, no. 28.
Ann Dumas, The Metropolitan Museum of Art, New York, "Matisse, His Art and His Textiles: The Fabric of Dreams", June 23-September 25, 2005, no. 19.
Katherine Rothkopf, The Baltimore Museum of Art, "Matisse Picasso and the School of Paris: Masterpieces from The Baltimore Museum of Art featuring Selections from the Collection of Etta and Claribel Cone", circulated to North Carolina Museum of Art, Raleigh October 10, 2004-January 16, 2005; The Naples Museum of Art, Naples, Florida (as "Matisse, Picasso and Friends: Impressionism to Surrealism, Masterworks of Painting and Sculpture from The Baltimore Museum of Art)," February 5-May 1, 2005; The Frist Center for the Visual Arts, Nashville (as "Matisse, Picasso, and the School of Paris: Masterpieces from The Baltimore Museum of Art"), March 2-June 3, 2007.
Katy Rothkopf, BMA, "Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore", circulated to The Jewish Museum, New York, 6 May-25 September 2011, Vancouver Art Gallery, 2 June-23 September 2012, Nasher Museum of Art at Duke University, 3 November 2012-10 February 2013.
San Francisco Museum of Modern Art, "Matisse/Diebenkorn", The Baltimore Museum of Art, October 23, 2016-January 29, 2017. San Francisco Museum of Modern Art, March 11, 2017-May 29, 2017.
Reinhardt Galleries, New York, "El Greco and Rembrandt to Cézanne and Matisse", January 15-January 29, 1927, no. 26. (Exhibited as "Still Life")
Adelyn D. Breeskin, The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture", April 1-December 1, 1930, no. 16. (Exhibited as "Interior")
Alfred H. Barr, Jr., The Museum of Modern Art, New York, "Painting in Paris from American Collections", January 19-March 2, 1930, no. 58. (Exhibited as "Interior")
The Art Institute of Chicago, "A Century of Progress: Exhibition of Paintings and Sculpture", June 1-November 1, 1933, no. 393. (Exhibited as "Interior")
The Baltimore Museum of Art, "Cone Collection", May 12-October 1, 1934.
Henry Clifford, The Pennsylvania Museum of Art, "The Fauves: 1900", March 16-May 8, 1935.
Adelyn Breeskin, The Baltimore Museum of Art, "A Century of Baltimore Collecting 1840-1940", June 6-September 1, 1941. (Exhibited as "Interior")
Gertrude Rosenthal, The Baltimore Museum of Art, "Selections from the Cone Collection", October 7-December 31, 1949, no. 56. (Exhibited as "Interior: Flowers and Parrots")
Andrew Carnduff Ritchie and Monroe Wheeler, The Museum of Modern Art, New York, "Henri Matisse", November 13, 1951-January 13, 1952, no. 57; circulated to The Cleveland Museum of Art, February 5-March 16, 1952; The Art Institute of Chicago, April 1-May 4, 1952; The San Francisco Museum of Art, May 22-July 6, 1952. (Exhibited as "Interior: Flowers and Parrots")
The Baltimore Museum of Art, "The Cone Collection", circulated to The Virginia Museum of Fine Arts, Richmond, October 23-November 22, 1953.
Paul Rosenberg and Company, New York, "Loan Exhibition of Paintings by Henri Matisse", April 5-May 1, 1954, no. 8. (Exhibited as "Interior: Flowers and Parrots")
The Baltimore Museum of Art, "The Cone Collection", circulated to M. Knoedler & Company, New York, January 24-February 19, 1955. (Exhibited as "Interior: Flowers and Parrots")
Gertrude Rosenthal, The Baltimore Museum of Art, "Paintings, Sculpture and Drawings in the Collection of The Baltimore Museum of Art", circulated to The Columbus Gallery of Fine Arts, Columbus, OH, November 9-December 4, 1967.
The Arts Council of Great Britain, The Hayward Gallery, London, "Matisse", July 4-September 8, 1968, no. 92. (Exhibited as "Interior, Flowers and Parrots")
George S. Heyer, Jr., University Art Museum, Austin, Texas, "Not So Long Ago: Art of the 1920s in Europe and America", 1972, no. 68. (Exhibited as "Interior, Flowers and Parrots")
Jane Harrison Cone, The Baltimore Museum of Art, "Cone Collection from The Baltimore Museum of Art", circulated to Wildenstein and Company, New York, March 29-May 4, 1974, no. 29. (Exhibited as "Interior, Flowers and Parrots")
Brenda Richardson, The Baltimore Museum of Art, "Matisse in the Collection of The Baltimore Museum of Art", circulated to The Solomon R. Guggenheim Museum, New York,August 24 - October 14, 1979.
The Baltimore Museum of Art, "Masterpieces from the Cone Collection of the Baltimore Museum of Art", circulated to The Los Angeles County Museum of Art, October 6, 1985-November 24, 1985; Kimbell Art Museum, Fort Worth, December 14, 1985-February 9, 1986.
Jack Cowart and Dominique Fourcade, The National Gallery of Art, Washington, "Henri Matisse The Early Years in Nice 1916-1930", November 2, 1986-March 29, 1987, no. 139. (Exhibited as "Intérieur, fleurs et perruches/Interior, Flowers and Parrots")
Brenda Richardson, The Baltimore Museum of Art, "Matisse, Picasso and Impressionist Masters from the Cone Collection", circulated to The Museum of Fine Arts Boston, October 2, 1991-January 19, 1992.
John Elderfield with Beatrice Kernan, The Museum of Modern Art, New York, "Henri Matisse: A Retrospective", September 24, 1992-January 19, 1993, no. 259.
Brenda Richardson, The Baltimore Museum of Art, "Van Gogh to Matisse: Impressionist and Modern Masters from the Cone Collection of The Baltimore Museum of Art", circulated to The Museum of Fine Arts, Houston, November 21, 1993-January 30, 1994.
Brain Trust Inc., Isetan Museum of Art, Tokyo, "Matisse and Modern Masters from the Cone Collection of The Baltimore Museum of Art", October 3-December 28, 1996, no. 29; circulated to the Osaka Municipal Museum of Art, January 8-February 11, 1997.
The Baltimore Museum of Art, "Matisse from The Baltimore Museum of Art", circulated to The Denver Art Museum, March 11-June 25, 2000; Birmingham Museum of Art, July 23-September 17, 2000; The Art Gallery of Ontario, Toronto, October 10, 2000-January 28, 2001.
The Baltimore Museum of Art and The Walters Art Gallery, Baltimore, The Norton Museum of Art, West Palm Beach "The Triumph of French Painting: Masterpieces from Ingres to Matisse", January 8-March 11, 2001, no. 55; circulated to the Royal Academy of Arts, London, July 12-October 7, 2001; Albright-Knox Art Gallery, Buffalo, November 3, 2001-January 6, 2002.
Eric M. Zafran, Wadsworth Atheneum, Hartford, "Impressionism to Surrealism from The Baltimore Museum of Art", February 8-April 21, 2002, no. 28.
Ann Dumas, The Metropolitan Museum of Art, New York, "Matisse, His Art and His Textiles: The Fabric of Dreams", June 23-September 25, 2005, no. 19.
Katherine Rothkopf, The Baltimore Museum of Art, "Matisse Picasso and the School of Paris: Masterpieces from The Baltimore Museum of Art featuring Selections from the Collection of Etta and Claribel Cone", circulated to North Carolina Museum of Art, Raleigh October 10, 2004-January 16, 2005; The Naples Museum of Art, Naples, Florida (as "Matisse, Picasso and Friends: Impressionism to Surrealism, Masterworks of Painting and Sculpture from The Baltimore Museum of Art)," February 5-May 1, 2005; The Frist Center for the Visual Arts, Nashville (as "Matisse, Picasso, and the School of Paris: Masterpieces from The Baltimore Museum of Art"), March 2-June 3, 2007.
Katy Rothkopf, BMA, "Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore", circulated to The Jewish Museum, New York, 6 May-25 September 2011, Vancouver Art Gallery, 2 June-23 September 2012, Nasher Museum of Art at Duke University, 3 November 2012-10 February 2013.
San Francisco Museum of Modern Art, "Matisse/Diebenkorn", The Baltimore Museum of Art, October 23, 2016-January 29, 2017. San Francisco Museum of Modern Art, March 11, 2017-May 29, 2017.
"Exposition Henri-Matisse," Paris: Galerie Bernheim-Jeune, 1924, no. 32.
"Loan Exhibition of Paintings from El Greco and Rembrandt to Cézanne and Matisse," New York: Reinhardt Galleries, 1927, no. 26, ill. (Published as "Still Life")
The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1930, p.5, no. 16. (Published as "Interior")
Alfred H. Barr, Jr., "Painting in Paris from American Collections," New York: Trustees of The Museum of Modern Art, 1930, p. 33, no. 58, ill. (Published as "Interior")
Daniel Catton Rich, ed., "Catalog of A Century of Progress: Exhibition of Paintings and Sculpture," Chicago: The Art Institute of Chicago, 1933, p. 55, no. 393. (Published as "Interior")
Etta Cone, "The Cone Collection of Baltimore-Maryland," Baltimore: Etta Cone, 1934, p. 24, pl. 55, ill. (Published as "Intérieur Fleurs et Perruches")
The Baltimore Museum of Art, "A Century of Baltimore Collecting 1840-1940," Baltimore: The Baltimore Museum of Art, 1941, p. 83, 116. (Published as "Interior")
George Boas, Adelyn D. Breeskin, and J.G. D'Arcy Paul, "Selections from the Cone Collection," "News of The Baltimore Museum of Art," October 1949, vol. 13, no. 1, p. 16. (Published as "Interior: Flowers and Parrots")
Alfred H. Barr, Jr., "Matisse: His Art and His Public," New York: The Museum of Modern Art, 1951, pp. 212, 557, 575, 580. (Published as "Interior with Flowers and Parrots")
Andrew Carnduff Ritchie, Monroe Wheeler and Alfred H. Barr, Jr., "Henri Matisse," New York: The Museum of Modern Art, New York, 1951, pp. 10, 28, no. 57, ill. (Published as "Interior: Flowers and Parrots")
"Henri Matisse," "News of The Baltimore Museum of Art," December 1954, vol. XVIII, no. 2, p. 6, ill. (Published as "Interior with Flowers and Parrots")
"Henri Matisse," New York: Paul Rosenberg and Company, 1954, no.8, ill. (Published as "Interior: Flowers and Parrots")
Gaston Diehl, "Henri Matisse," Paris: Éditions Pierre Tisné, 1954, p. 78. (Published as "L'intérieur aux perruches")
"Matisse: A Rare Collection Record," "Vogue" March 1, 1955, vol. 125, pp. 133, ill. p. 135. (Published as "Interior with Flowers and Parrots")
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Cone Collection: A Handbook with a Catalogue of Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1955, pp. 23, 34, no. 67, ill. (Published as "Interior, Flowers and Parrots")
Gertrude Rosenthal, "A Picture Book: 200 Objects in The Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1955, p. 62, ill. (Published as "Interior, Flowers and Parrots")
"Matisse: A Rare Collection Record," "Vogue" March 1, 1955, p. 133, ill. p. 135. (Published as "Interior with Flowers and Parrots")
Barbara Pollack, "The Collectors: Dr. Claribel and Miss Etta Cone," Indianapolis: The Bobbs-Merrill Company, Inc., 1962, pp. 177, 183. (Published as "Interior, Flowers and Parrots")
George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Paintings, Sculpture, and Drawings in the Cone Collection," Baltimore: The Baltimore Museum of Art, 1967, pp. 37, 67, no. 64, ill. (Published as "Interior, Flowers and Parrots")
Lawrence Gowing, "Matisse," London: The Arts Council of Great Britain, 1968, pp. 120, 165, 170, no. 92, ill. (Published as "Interior, Flowers and Parrots")
Massimo Carrà and Mario Luzi, "L'opera di Matisse dalla rivolta 'fauve' all'intimismo 1904-1928," Milan: Rizzoli 1971, pp. 103, 113, 114, no. 417, ill. (Published as "Interno con Fiori e Pappagallo")
Donald B. Goodall and George S. Heyer, Jr., "Not So Long Ago: Art of the 1920s in Europe and America," Austin: University Art Museum, 1972, no. 68, ill. (Published as "Interior, Flowers and Parrots")
The Baltimore Museum of Art, "Cone Collection from The Baltimore Museum of Art: A Benefit Exhibition at Wildenstein," Baltimore: The Baltimore Museum of Art, 1974, no. 29. (Published as "Interior, Flowers and Parrots")
Pierre Schneider, Massimo Carrà and Xavier Deryng, "Tout l'Oeuvre Peint de Matisse 1904-1928," Paris: Flammarion, 1982, pp. 103, 114, no. 417, ill. (Published as "Intérieur au Perroquet")
Israel Rosen, "The Cone Sisters: Myths, Realities and Some Conjectures," "Helicon Nine, the Journal of Women's Arts and Letters," Winter 1983, no. 9, p. 85. (Published as "Interior with Flowers and Parrot")
Brenda Richardson, "Dr. Claribel & Miss Etta: The Cone Collection of The Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1985, pp. 44, 94, 112, 175, 198, 201, ill. p. 44.
Jack Cowart and Dominique Fourcade, "Henri Matisse The Early Years in Nice 1916-1930," New York: Harry N. Abrams, Inc., 1987, pp. 189, 321, 334, no. 139, ill. (Published as "Intérieur, fleurs et perruches/Interior, Flowers and Parrots")
Alicia Faxon, "The Shock of Recognition," "Art New England," December 1991/January 1992, p. 13.
John Elderfield, "Henri Matisse: A Retrospective," New York: The Museum of Modern Art, 1992, pp. 296, 333, 477, pl. 259, ill.
Susie Kalil, "The Joy of Color, the Ecstasy of Form," "Houston Press," December 23, 1993, p. 27.
Guy-Patrice and Michel Dauberville, "Henri Matisse Chez Bernheim-Jeune, vols. 1-2" Paris: Éditions Bernheim-Jeune, 1995, pp. 1207, 1442, no. 618, ill. (Published as "Intérieur, cage et fleurs devant une portiere relevée")
Nobuyuki Senzoku and Akira Tomita, "Matisse and Modern Masters from the Cone Collection of The Baltimore Museum of Art," Tokyo: Brain Trust Inc., 1996, pp. 76-77, 159, no. 29, ill.
Sona K. Johnston and William R. Johnston, "The Triumph of French Painting: Masterpieces from Ingres to Matisse," London: Scala Publishers, 2000, pp. 148-149, 156, no. 55, ill.
Charles Darwent, "Double Vision," "The Independent," June 17, 2001, p. 21.
Jay Fisher, "Dr. Claribel and Miss Etta Cone: A Collection of Modern Art for Baltimore," in Rosella Mamoli Zorzi, ed., "Before Peggy Guggenheim: American Woman Art Collectors," Venice: Marsilio, 2001, p. 121.
Jack Flam, "Matisse in the Cone Collection: The Poetics of Vision," Baltimore: The Baltimore Museum of Art, 2001, pp. 79-81, pl. 35, ill.
Valakos, Dorothy. Matisse for Kids. Brochure. Baltimore, MD: Baltimore Museum of Art, 2001, unpaged.
Gabriel, Mary. The Art of Acquiring: A Portrait of Etta and Claribel Cone. [Baltimore, MD]: Bancroft Press, 2002, unpaged plate section.
Eric M. Zafran, "Impressionism to Surrealism from The Baltimore Museum of Art," Hartford: Wadsworth Atheneum, 2002, pp. 7, 18, no. 28, ill.
Ann Dumas, Kathleen Brunner, Jack Flam, Rémi Labrusse, Hilary Spurling and Dominique Szymusiak, "Matisse, His Art and His Textiles: The Fabric of Dreams," London: Royal Academy of Arts, 2004, pp. 110, 183, 212, no. 19, ill.
Donald Miller, "A Coup for Naples," "Naples Daily News," February 4, 2005, p. 7D.
Pia Müller-Tamm, ed., "Henri Matisse: Figure, Color, Space," Düsseldorf, Germany: Kunstsammlung Nordrhein-Westfalen, Hatje Cantz, 2005, p.83, fig. 11, ill.
Ellen B. Hirschland and Nancy Hirschland Ramage, "The Cone Sisters of Baltimore: Collecting at Full Tilt," Evanston, IL: Northwestern University Press, 2008, pp. 105-106, 107, 219, 277, fig. 5.11, ill.
Karen Levitov, "Collecting Matisse and Modern Masters: The Cone Sisters of Baltimore," New York: The Jewish Museum, 2011, pp. 2, 20, 40-41, 76, pl. 17, ill.
Karen Rosenberg, "What They Loved and What They Bought," "The New York Times," May 6, 2011, p. C30, ill.
Fillion, Susan. Miss Etta and Dr. Claribel: Bringing Matisse to America. Boston: David R. Godine, 2011, page 15.
Louise Mackie, "Symbols of Power: Luxury Textiles from Islamic Lands, 7th-21st Century." Cleveland: The Cleveland Museum of Art, 2015, fig. 11.12, ill.
Bishop, Janet and Katy Rothkopf eds. Matisse/Diebenkorn. New York: Prestel, 2016.
Ramos, E. Carmen. Tamayo: The New York Years. Washington, DC: Smithsonian American Art Museum; London: D Giles Limited, 2017.
Cozzi, Leslie and Katherine Rothkopf (eds). "A Modern Influence: Henri Matisse, Etta Cone, and Baltimore." Baltimore: The Baltimore Museum of Art, 2021. ill.
Inscribed: Recto: Lower right in paint, "Henri-Matisse" Verso: The painting has been wax lined and there are no visible inscriptions on the verso.
