Salomon van Ruysdael
Landscape on the River Meuse
1642
Physical Qualities
Oil on canvas, 36 1/2 x 44 1/8 in. (92.7 x 112.1 cm.)
Credit Line
The Mary Frick Jacobs Collection
Object Number
1938.195
From a low perspective that extends along the water’s edge, Salomon van Ruysdael captured the slow rhythms of daily life just beyond a town’s limits. Church towers and sailboats dot the light, cloud-filled horizon, while three fishermen and a dog make their way across the Meuse River in a small boat in the left foreground. Another group of men casts their fishing nets closer to the shoreline at right. The water, almost completely still, mirrors the trees’ reflection.
Van Ruysdael’s scene presents an idealized view of this distinctly Dutch landscape. Anticipating the region’s peace and prosperity in the years leading up to its independence
in 1648, the painting also demonstrates the closely intertwined relationships among land, water, and human activity in the Dutch Republic.
The Baltimore Museum of Art by bequest, 1938; Mary Frick Jacobs, Baltimore, MD by purchase, July 5, 1912; Eugene Fischof, Paris; Count de St. Léon, Paris.
The Baltimore Museum of Art, “A Century of Collecting: 1840–1940”, June 6 to September 1, 1941.
The Walters Art Gallery, “Dutch 17th c. Painting”, November 10 to December 30, 1951.
The Baltimore Museum of Art, "Watershed: Transforming the Landscape in Early Modern Dutch Art," February 9–July 27, 2025.
The Walters Art Gallery, “Dutch 17th c. Painting”, November 10 to December 30, 1951.
The Baltimore Museum of Art, "Watershed: Transforming the Landscape in Early Modern Dutch Art," February 9–July 27, 2025.
Henry Barton Jacobs, The Collection of Mary Frick Jacobs (Baltimore: Dr. Henry Barton Jacobs, 1938), pl. 62.
“Object of the Week,” The Baltimore Sun (Baltimore, MD) June 4, 1961.
Peter C. Sutton, A Guide to Dutch Art in America (Washington D.C.: Netherlands-American Amity Trust, 1986), p. 6.(published as "River Landscape").
Inscribed: RECTSO: LL, "S 'Ruysdael. 1643"