Edward Mitchell Bannister
Last Light
1889-1898
Physical Qualities
Oil on wood panel, Sight: 9 3/8 × 13 1/4 in. (23.8 × 33.7 cm.)
Framed: 23 1/8 × 27 1/4 × 3 7/8 in. (58.7 × 69.2 × 9.8 cm.)
Credit Line
W. Clagett Emory Bequest Fund, in Memory of his Parents, William H. Emory of A and Martha B. Emory; and purchased as the gift of Stiles Tuttle Colwill and the Stiles Ewing Tuttle Memorial Trust in Memory of Marion Tuttle Colwill
Object Number
2002.560
The late-afternoon glow of the sun setting behind a tall stand of trees, a bank of somber gray clouds on the horizon, and the small watery marshland pools, all these are part of the low-lying scenery around Rhode Island’s Narragansett Bay that Edward Bannister loved to paint. The self-taught Bannister was a spiritually-minded man who felt close to nature and wondered at its beauty and power. As a young sailor, he became a student of clouds and wind; later, as a painter, he found ways to express his observations and reverence for natureusing sharp contrasts of strong light and deep shadow. In Bannister’s
landscapes, nature is supreme, while humans rarely appear.
The Baltimore Museum of Art by purchase, 2002; Roger King Fine Arts, Newport, RI, 2002; private collection, Westerly, RI, 2001; private collection, Europe, until 2000
W. Clagett Emory Bequest Fund, in Memory of his Parents, William H. Emory of A and Martha B. Emory; and purchased as the gift of Stiles Tuttle Colwill and the Stiles Ewing Tuttle Memorial Trust in Memory of Marion Tuttle Colwill
W. Clagett Emory Bequest Fund, in Memory of his Parents, William H. Emory of A and Martha B. Emory; and purchased as the gift of Stiles Tuttle Colwill and the Stiles Ewing Tuttle Memorial Trust in Memory of Marion Tuttle Colwill
James Smalls, The Baltimore Museum of Art, "Henry Ossawa Tanner and his Influence in America," June 7, 2006 - December 3, 2006.
BMA Today: May / June 2003, pp.4, ill.
Inscribed: Signed: BR, 'E M Bannister'