Elizabeth Butterton
My God Permit Me Not To Be a Stranger
1789
Physical Qualities
Linen or wool ground, silk embroidery threads, 13 7/8 x 12 5/8 in. (35.2 x 32.1 cm.)
Credit Line
Gloria B. and Herbert M. Katzenberg Collection
Object Number
2015.133
Norfolk, England is known for its extraordinarily beautiful samplers, and Elizabeth Butterton’s is a very fine example. Elizabeth almost certainly worked this sampler as a schoolgirl exercise. In England, as in America and other parts of Europe, samplers were tools for teaching letters, numerals, and moral precepts as well as fancy stitching. Elizabeth’s sampler boasts a distinctive Norfolk stepped diamond cartouche containing the usual alphabets and prayers, delicate designs of deer and trees, border patterns, and corner spandrels filled with floral designs. She left no space empty, finishing her central diamond with floral finials at top and bottom, expanding it to the sides, and employing crowns and a variety of lines and marks elsewhere. The finely woven ground allowed for exquisite stitching in silk threads to show off Elizabeth’s finely honed skill with a needle. Her sampler joins the Museum’s collection of schoolgirl needleworkfrom America, England, Scotland, the Netherlands, Italy, and France.
The Baltimore Museum of Art by gift, 2015; Estate of Gloria Katzenberg, Baltimore
Rena Hoisington, The Baltimore Museum of Art, "New Arrivals: Gifts of Art for a New Century," February 7-May 8, 2016.
Inscribed: Enmbroidered within diamond shaped cartouche: Alphabets in capital letters ...inches high:. 1st row: "ABCDEFG."/ 2nd row: "HIJKLMNOPQ"/ 3rd row: "RSTVUWXYZ" [STET, V and U are reversed] Below this in rectangular area of cartouch: "My God, permit me not to be/ A Stranger to my-self, and Thee,/ May I Obey Thy voice Divine/ And all Inferior Joys Resign"/ Alphabet in all capital letters of ....inches high: "ABCDEFGHIJK" Below series of small pictures name of maker and date appear:: "Elizabeth Butterton/1790"