Charles-François Daubigny, Auguste Delâtre, and others

Réjouissances des poissons du départ du Mousse (Les Poissons)

1860

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Charles-François Daubigny, Auguste Delâtre, and others

Réjouissances des poissons du départ du Mousse (Les Poissons)

1860

Physical Qualities Etching, Sheet: 259 x 348 mm. (10 3/16 x 13 11/16 in.) Plate: 139 x 188 mm. (5 1/2 x 7 3/8 in.)

Credit Line The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community

Object Number 1996.48.4226

The Baltimore Museum of Art by purchase, 1996; The Maryland Institute College of Art,
through Henry Walters, Baltimore, by bequest 1909; from George A. Lucas, Paris

Inscribed: Signed and inscribed in plate: lower left "Daubigny"; lower right "Imp. Delâtre Paris" Inscribed in pencil: verso, in Lucas' hand "Chaplin"

Markings: Collector's stamp: verso "M.I. / LUCAS / COLLECTION" (Lugt 1695c)

Artist

Charles-François Daubigny

1816–1877

French, 1817-1878

Meet Charles-François Daubigny

Printer

Auguste Delâtre

1821–1906

French, 1822-1907

Meet Auguste Delâtre

Publisher

A. Cadart

1858–1874

operated c. 1859 - 1875

Meet A. Cadart

Explore the Collection Further

BY SAME ARTIST

PRINTS, DRAWINGS & PHOTOGRAPHS

Charles Joseph Beauverie

Place de L'Hospice A St. Cloud (Apres le depart des Prussiens)

1870

Charles-François Daubigny

Cows at the Watering Place

2000

Jean Jerome Baugean

Vue du Chateau d: If et d'une Ancienne Chapelle aux Vieilles Infirmeries. Department des Houches du Rhone

1783–1818

Charles-François Daubigny

Cows in the Woods

2000

Charles-Nicolas Cochin I and Jean Restout

Armide irritée du depart de Renaud, qu'elle aimoit, fait detruire son palais (Armida angry at the departure of Rinaldo, who she loves, destroys his palace)

1735

Charles-François Daubigny

Le Bouquet d'aunes

2000

Adolphe Hervier

Femme tenant des poissons d'une main et de l'autre un panier

1853

LET'S BE QUITE CLEAR. - BERTRAND IS GOING TO SNEAK IN AND OUT OF THE GROUPS AT THE STOCK EXCHANGE AND POLISH UP THE TARRED BITUMEN SHARES, HE'LL MAKE THEM SPARKLE, HE'LL SAY THEY'RE BEING SNAPPED UP, SNATCHED UP ALL ROUND, THAT THEY'RE RISING LIKE BALLOONS... AS FOR YOU, BARON, YOU HAVE A CERTAIN 'SAVOIR FAIRE', GO AND BUY SOME FOR 20%, 30%, EVEN 100% MORE. I'VE GOT THE WHOLE LOT IN MY WALLET, THEY WON'T BE ABLE TO DELIVER ANY, WE'LL SELL THEM FO

Honoré Daumier

Entendons nous bien! Bertrand va se faufiler dans tous les groupes de la bourse et chauffer les actions du Bitume bitumineux, il les fera mousser, il dira qu’elles s’enlèvent, qu’on se les arrache, qu’elles montent comme des ballons……..Vous, Baron, qui avez un certain chic, vous allez en acheter à 20/00, 30/00, 100/00 d’augmentation. je les ai toutes en portefeuille, on ne pourra donc pas vous les livrer, nous les vendrons ce que nous voudrons et la providence fera le reste. (Bertrand) En avant, marchons. Contre les dindons, Volons……. etc.

1837

INTERIOR OF AN INN (THE CORRIDOR OF AN INN)

Charles-François Daubigny, Auguste Delâtre, and others

Intérieur d'une auberge (Le Corridor d'une auberge)

1860

THE HUSBAND (READING ALOUD): "WE LAY INDOLENTLY ON THE FRAGRANT MOSS, WHILE THE BEAMS OF THE MOON FLICKERED THROUGH THE BRANCHES OF A WILLOW, GENTLY SWAYING IN THE EVENING BREEZE. OVERCOME WITH LOVE WE CRIED TO TO HEAVEN THE LONGINGS WE FELT IN OUR HEARTS." HIS WIFE (SOTTO VOCE): HOW CAN HE POSSIBLY READ SUCH POETRY AND WEAR A NIGHT BONNET AND A FACE LIKE THIS.

Honoré Daumier

Le Mari (lisant): "nous étions mollement étendus sur la mousse odorante, les rayons de la lune perçaient les branches du Saule agité par la Brise du soir. Enivrés d'amour nous lançions au Ciel des Sermens qui retombaient dans nos coeurs." La femme (à part): Peut-on lire ces choses avec un bonnet de coton, et une boule comme la sienne!…..

1838