Skip to main content
Membership Donate Shop Gertrude's
Selection from “The Living Series” - Image 1
Selection from “The Living Series” - Image 2

Jenny Holzer

Selection from “The Living Series”

1979-1981

Thumbnail 1
Thumbnail 2
Scroll
Selection from “The Living Series”

Jenny Holzer

Selection from “The Living Series”

Jenny Holzer

Selection from “The Living Series”

1979-1981

Physical Qualities Bronze, paint, 6 x 10 x 3/8 in. (15.2 x 25.4 x 1 cm.)
Credit Line Friends of Modern Art Fund
Object Number 1991.99
Nancy Heller, 'Why Painting is Like Pizza: A Guide to Understanding and Enjoying Modern Art,' Princeton: Princeton University Press, 2002, p.131, ill. no. 70.

Artist

Jenny Holzer

1949–2000

born Gallipolis, OH 1950
Meet Jenny Holzer
On View at the BMA

Explore the Collection Further

BY SAME ARTIST
HIGHLIGHTS
CONTEMPORARY ART
UNTITLED
Jenny Holzer and Printed Matter, Inc.
Untitled
1978–1980
THE VILLAGE OF CHAILLOT FROM THE PONT DE LA CONCORDE
Thomas Girtin
From the series "A Selection of Twenty of the Most Picturesque Views in Paris"
1801
UNTITLED
Jenny Holzer and Printed Matter, Inc.
Untitled
1978–1980
GENERAL VIEW OF PARIS, FROM CHAILLOT
Thomas Girtin
From the series "A Selection of Twenty of the Most Picturesque Views in Paris"
1801
UNTITLED
Jenny Holzer and Printed Matter, Inc.
Untitled
1978–1980
BELLE VUE AND PONT DE SÈVRES FROM ST.-CLOUD
Thomas Girtin
From the series "A Selection of Twenty of the Most Picturesque Views in Paris"
1801
UNTITLED
Jenny Holzer and Printed Matter, Inc.
Untitled
1978–1980
THE WATER WORKS AT MARLY
Thomas Girtin
From the series "A Selection of Twenty of the Most Picturesque Views in Paris"
1801
UNTITLED
Jenny Holzer and Printed Matter, Inc.
Untitled
1978–1980
THE PANTHEON, FROM THE ARSENAL
Thomas Girtin
From the series "A Selection of Twenty of the Most Picturesque Views in Paris"
1801
UNTITLED
Jenny Holzer and Printed Matter, Inc.
Untitled
1978–1980
PONT DE LA TOURNELLE AND NOTRE-DAME FROM THE ARSENAL
Thomas Girtin
From the series "A Selection of Twenty of the Most Picturesque Views in Paris"
1801