John D. Graham
Still Life with Fruit and Blue and White Pitcher
1925
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John D. Graham
Still Life with Fruit and Blue and White Pitcher
1925
Physical Qualities
Oil on canvas, Framed: 28 × 21 7/8 × 3 3/4 in. (71.1 × 55.6 × 9.5 cm.)
Sight: 22 1/8 × 16 in. (56.2 × 40.6 cm.)
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.334
The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by bequest, 1929; possibly Claribel Cone, Baltimore, by purchase, 1928(?); the artist, Baltimore
Brenda Richardson, The Baltimore Museum of Art, "Matisse, Picasso and Impressionist Masters from the Cone Collection," circulated to The Museum of Fine Arts, Boston, October 2, 1991 - January 19, 1992.
Brenda Richardson, The Baltimore Museum of Art, "Van Gogh to Matisse: Impressionist and Modern Masters from the Cone Collection of The Baltimore Museum of Art," circulated to The Museum of Fine Arts, Houston, November 21, 1993 - January 30, 1994.
Eric M. Zafran, Wadsworth Atheneum, Hartford, "Impressionism to Surrealism from the Baltimore Museum of Art," February 8, 2002 - April 21, 2002, no. 11.
Katherine Rothkopf, The Baltimore Museum of Art, "Matisse Picasso and the School of Paris: Masterpieces from The Baltimore Museum of Art featuring Selections from the Collection of Etta and Claribel Cone," circulated to North Carolina Museum of Art, Raleigh October 10, 2004 - January 16, 2005; The Naples Museum of Art, Naples, Florida (as "Matisse, Picasso and Friends: Impressionism to Surrealism, Masterworks of Painting and Sculpture from The Baltimore Museum of Art)," February 5, 2005 - May 1, 2005; The Frist Center for the Visual Arts, Nashville (as "Matisse, Picasso, and the School of Paris: Masterpieces from The Baltimore Museum of Art"), March 2, 2007 - June 3, 2007.
Sona Johnston, The Baltimore Museum of Art, "The Art of Still Life from The Baltimore Museum of Art," circulated to Academy Art Museum, Easton, MD, August 3, 2007 - October 6, 2007; Mitchell Gallery, St. John's College, Annapolis, August 25, 2010 - October 10, 2010.
The Parrish Art Museum, "John Graham: Maverick Modernist," May 7, 2017-July 23, 2017.
Brenda Richardson, The Baltimore Museum of Art, "Van Gogh to Matisse: Impressionist and Modern Masters from the Cone Collection of The Baltimore Museum of Art," circulated to The Museum of Fine Arts, Houston, November 21, 1993 - January 30, 1994.
Eric M. Zafran, Wadsworth Atheneum, Hartford, "Impressionism to Surrealism from the Baltimore Museum of Art," February 8, 2002 - April 21, 2002, no. 11.
Katherine Rothkopf, The Baltimore Museum of Art, "Matisse Picasso and the School of Paris: Masterpieces from The Baltimore Museum of Art featuring Selections from the Collection of Etta and Claribel Cone," circulated to North Carolina Museum of Art, Raleigh October 10, 2004 - January 16, 2005; The Naples Museum of Art, Naples, Florida (as "Matisse, Picasso and Friends: Impressionism to Surrealism, Masterworks of Painting and Sculpture from The Baltimore Museum of Art)," February 5, 2005 - May 1, 2005; The Frist Center for the Visual Arts, Nashville (as "Matisse, Picasso, and the School of Paris: Masterpieces from The Baltimore Museum of Art"), March 2, 2007 - June 3, 2007.
Sona Johnston, The Baltimore Museum of Art, "The Art of Still Life from The Baltimore Museum of Art," circulated to Academy Art Museum, Easton, MD, August 3, 2007 - October 6, 2007; Mitchell Gallery, St. John's College, Annapolis, August 25, 2010 - October 10, 2010.
The Parrish Art Museum, "John Graham: Maverick Modernist," May 7, 2017-July 23, 2017.
Brenda Richardson, "Dr. Claribel & Miss Etta: The Cone Collection of the Baltimore Museum of Art," Baltimore: The Baltimore Museum of Art, 1985, pp. 150, 151,179, 200, p. 151, ill.
Nobuyuki Senzoku and Akira Tomita, "Matisse and Modern Masters from the Cone Collection of the Baltimore Museum of Art," Tokyo: Brain Trust Inc., 1996, p. 39, fig. 24, ill.
Eric M. Zafran, "Impressionism to Surrealism from the Baltimore Museum of Art," Hartford: Wadsworth Atheneum, 2002, pp. 8, 15, no. 11, ill.
Longwell, Alicia G. "John Graham: Maverick Modernist." Water Mill, NY: Parrish Art Museum, 2017. p. 30, plate 6, ill.
Inscribed: Recto: Top left in black paint, "Graham 26" Verso: The painting has been wax lined and there are no visible inscriptions on the verso. Frame Inscriptions Verso: Left rail in black grease pencil, "GRAHAM" This inscription is normally covered by the frame's build up.
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