Henri Matisse and Henri Matisse, Presentation Maquette, Poésies de Stéphane Mallarmé
Study for “Nymph and Faun”
1930-1931
Scroll
Study for “Nymph and Faun”
1930-1931
Physical Qualities
Graphite with erasing on translucent paper (tracing paper) mounted to wove paper, Sheet: 329 x 257 mm. (12 15/16 x 10 1/8 in.)
Mat: 18" x 14"
Credit Line
The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland
Object Number
1950.12.721
The Baltimore Museum of Art by bequest of Etta Cone, 1949; Etta Cone, Baltimore, MD by purchase, 1931-33; the artist
BMA, "Henri Matisse: The Spirited Line--Works on Paper, 1898-1950, from the Museum Collection," 7 September - 2 November 1986.
Katy Rothkopf and Leslie Cozzi, The Baltimore Museum of Art, "A Modern Influence: Henry Matisse, Etta Cone, and Baltimore," October 3, 2021 - January 2, 2022.
Katy Rothkopf and Leslie Cozzi, The Baltimore Museum of Art, "A Modern Influence: Henry Matisse, Etta Cone, and Baltimore," October 3, 2021 - January 2, 2022.
Guillaud, Maurice, and Jacqueline Guillaud. Matisse: le rythme et la ligne. Paris: Guillaud Editions, 1987, plate no. 617 (published as “L’Après-midi d’un Faune; le faune et la nymphe IV”).
Cozzi, Leslie and Katherine Rothkopf (eds). "A Modern Influence: Henri Matisse, Etta Cone, and Baltimore." Baltimore: The Baltimore Museum of Art, 2021. ill.
Inscribed: lower left in graphite: "IV / Henri Matisse"