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Temperance - Image 1
Temperance - Image 2
Public Domain

Temperance

1846

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Temperance

1846

Physical Qualities Cotton; cotton and possibly silk embroidery threads, ink, 18 x 17 3/4 in. (45.7 x 45.1 cm.)
Credit Line Gift of Robert V. Brawley, Winston-Salem, North Carolina
Object Number 1981.149
Long before the movement of the late-19th century, temperance societies were organized in New York and Massachusetts with branches established throughout Maryland by 1831. Another group with similar goals, the Order of the Sons of Temperance, was founded September 29, 1842, "to protect ourselves and others from the evils of Intemperance, afford mutual assistance, and elevate our characters as men." Their seal included the Fountain of Life (water)-a symbol repeated on album quilts in support of the cause of abstinence. Hand drawn ink marks were sometimes employed to add details to album quilts, particularly to motifs of complex design. Signatures ranging from names simply rendered in beautiful calligraphy to those surrounded by elaborate miniature vignettes were also added in ink, either by hand, stamp, or template. In this album square, ink is used to render the banderole and title "The Fountain of Health." The water rising and falling in the fountain, the Ode to Temperance written below, and small details such as the hairs on rose buds are also added with pen and ink, as is the inscription, drawn on a ribbon held in mid-air from a bird's beak.
Baltimore Museum of Art by gift, 1981; Robert Brawley, Winston-Salem, NC.
Museum interns, Eaglemania: Furor over the National Emblem in Maryland Arts 1782-1867, The Baltimore Museum of Art, August 12 - October 7, 1977.

Dena S. Katzenberg, The Baltimore Museum of Art, "Baltimore Album Quilts," 1980-1982, p. 60, ill. p. 60., Circulated to: The Museum of Fine Arts, Houston, Nov. 18, 1980-Jan. 11, 1981; Metropolitan Museum, New York, June 30, 1981-Aug. 30, 1981; BMA Dec. 13, 1981-Feb. 7, 1982.

Anita Jones, The Baltimore Museum of Art, "Sweet Dreams: Quilts and Coverlets from the Collection," Oct. 26-Dec. 31, 1994, no catalog.

Anita Jones, The Baltimore Museum of Art, "Baltimore Album Quilts: Appliquéd Artistry," Nov. 5, 2003-May 9, 2004, no catalog.

Anita Jones, Baltimore, The Baltimore Museum of Art, Jean and Allan Berman Textile Gallery, "Baltimore Album Quilts Revisited: A Matter of Style," 2nd rotation, July 3rd, 2008-Jan. 27th, 2009, no catalog.

Inscribed: Hand written in ink within banderole held by bird at upper (viewer's) left: "Mary Ann O'Laughlin"; Hand written in ink below this: "1847" Handwritten in ink using block letters within banderole held by bird's beak, center top: "The FOUNTAIN of HEALTH" Handwritten in ink below the fountain: "Temperance/ Spring up O well sweet Fountain spring/Sing ye that drink the waters sing/With Flowers adorn with verdure drest/And Ever the Cause of Temperance bless."

Explore the Collection Further

TEXTILES
Lucas van Leyden
Temperance
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Master I.B.
Temperance
1519–1529
Heinrich Aldegrever
Intemperance
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Unknown Artist, American and Keloggs & Comstock, & D. Needham
Tree of Temperance
1848–1851