Albert Marquet

The Bay of Chingoudy

1925

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Albert Marquet

Albert Marquet

The Bay of Chingoudy

1925

Physical Qualities Oil on canvas, 19 5/8 x 23 7/8 in. (49.8 x 60.6 cm.)

Credit Line The Cone Collection, formed by Dr. Claribel Cone and Miss Etta Cone of Baltimore, Maryland

Object Number 1950.220

The Baltimore Museum of Art by bequest, 1949; Etta Cone, Baltimore, by 1931; Delaroche

Adelyn D. Breeskin, The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture", April 1-December 1, 1930, no. 13 (exhibited as "Seascape").

Gertrude Rosenthal, The Baltimore Museum of Art, "Selections from the Cone Collection", October 7-December 31, 1949, no. 25.

Grace McCann Morley, The San Francisco Museum of Art, "Albert Marquet 1875-1947", May 27-August 3, 1958, no. 43; circulated to Seattle Art Museum, September 25-November 2, 1958; Cincinnati Art Museum, January 6-February 10, 1959; The Baltimore Museum of Art, March 3-April 5, 1959; Syracuse Art Museum, April 23-May 17, 1959, The Museum of Fine Arts, Boston, June 6-July 12, 1959.

Gertrude Rosenthal, The Baltimore Museum of Art, "Paintings, Sculpture and Drawings in the Collection of The Baltimore Museum of Art", circulated to The Columbus Gallery of Fine Arts, Columbus, OH, November 9-December 4, 1967.

Wildenstein and Company, New York, "Albert Marquet: A Loan Exhibition for the Benefit of the Hospitality Committee of the United Nations", October 27-December 4, 1971," no. 32 (exhibited as "La Baie de Chingoudy").

Jane Harrison Cone, The Baltimore Museum of Art, "New Dimensions in The Cone Collection", August 9-September 29, 1974.

Sona Johnston, The Baltimore Museum of Art, "Sisters' Passion for the Arts: A Glimpse of the Cone Collection", circulated to Government House, Annapolis, September 5, 1996-January 6, 1997, no. 9.

The Baltimore Museum of Art, "Cone Collection of Modern Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1930, p. 5, no. 13 (published as "Seascape").

Etta Cone, "The Cone Collection of Baltimore-Maryland," Baltimore: Etta Cone, 1934, p. 24, pl. 72, ill. (published as "La Baie de Chingoudy").

George Boas, Adelyn D. Breeskin, and J.G. D'Arcy Paul, "Selections from The Cone Collection," "News of The Baltimore Museum of Art," October 1949, vol. 13, no. 1, p. 14.

George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Cone Collection: A Handbook with a Catalogue of Paintings and Sculpture," Baltimore: The Baltimore Museum of Art, 1955, p. 31, no. 35.

"Albert Marquet 1875-1947," San Francisco: The San Francisco Museum of Art, 1958, p. 24, no. 43.

George Boas, Adelyn Breeskin, and Gertrude Rosenthal, "Paintings, Sculpture, and Drawings in the Cone Collection," Baltimore: The Baltimore Museum of Art, 1967, p. 66, no.33.

"Albert Marquet: A Loan Exhibition for the Benefit of the Hospitality Committee of the United Nations," New York: Wildenstein and Company, 1971, no. 32, ill. (published as "La Baie de Chingoudy").

Sona Johnston, "Sisters' Passion for the Arts: A Glimpse of the Cone Collection," Baltimore: Maryland Department of Business and Economic Development, 1996, no. 9.

Inscribed: Recto: Lower right in paint, "marquet" Verso: Middle of center stretcher on label, "No. 24844/Marquet/________/r.iv"; in red pencil, "24844/SM43" Upper left in white, "#345" Upper left in black grease crayon, "71" Bottom left in black grease pencil, “___ - 43 Box 15-1" Frame Inscriptions: Upper left corner, browned label in black ink, "No. 69" and white label in black ink, "Box 15/San Francisco Museum of Art/Exhibition Albert Marquet/ Artist/Title The Bay of Chingoudy/1926" Top center, partially torn red label Upper right, black plastic label, "32. La Baie de Chingoudy 1926" Top right corner, partially torn white label Middle of the right vertical rail, partially torn white label with a blue border Bottom center, small plaque, "LENT BY THE BALTIMORE MUSEUM OF ART" These inscriptions are normally covered by the frame buildup.

Markings: There is a series of nail/staple holes along the edge of the face of the painting, particularly on the left and right sides.