Skip to main content
Water Spirit Mask (Okoroshi)

Igbo

Water Spirit Mask (Okoroshi)

Igbo, 1900-1999

Scroll

Igbo

Water Spirit Mask (Okoroshi)

Igbo, 1900-1999

Physical Qualities Wood and paint, 9 3/16 x 5 7/8 x 3 9/16 in. (23.4 x 15 x 9 cm.)
Credit Line Gift of Phyllis K. and A. Harvey Schreter, Baltimore
Object Number 1996.118
Masks that use a restricted black-and-white palette to define the face are now considered typical of the Cross River region of southeastern Nigeria. However, this striking style can be seen in Ogoni and Ibibio masks from the area near the coast as well as in Igbo and Idoma masks from farther north, near the Benue River. The original inspiration for this restricted palette may have come from a more distant culture. In 1804, a popular and respected Islamic preacher in northern Nigeria, Uthman dan Fodio, led a war that created the Sokoto Caliphate. The Caliphate was a religious state with a population of more than 10 million subjects. As the Sokoto Caliphate expanded southward, it pushed many groups south of the Benue River. These groups came into contact with the Idoma and Igbo people as well as their trading partners even farther south in the Cross River area. As a result of these new interactions, the black-and-white style spread quickly throughout the entire region.
"Diverging Streams: Eastern Nigerian Art," Apr 26, 2015-Apr 17, 2016, BMA.

Culture

Igbo

2000–2000

Meet Igbo

Explore the Collection Further

Uche Okeke and Igbo
Three Mallams and the Moon
1961
Uche Okeke and Igbo
Monster
1961
Igbo
Maternity Figure
20th century
Yorùbá and Ijo
Nature Spirit Mask
1899–1932
Dan
Dancing Spirit Mask (Tankë Ge / Tanka Gle / Tankirgle)
1900–1932
Marka
Spirit Mask (Bamda)
1900–1932